Sára No. 1 (2026)

This small photo series was made with Sára Bálint, whom I’ve known for nearly fifteen years. We met as close friends in the studio (and beyond) for these images to come to life. Sára designs and creates wedding dresses under her own brand, Bridalwear – her work is defined by sensitivity, clarity, and a deep sense of personal attention.

Sára.
Tünde (2014)

Tünde Újszászi is a visual artist working with large-scale woven installations and painting series. Her practice explores the illusion of permanence and the constantly changing nature of our surroundings, with a strong focus on materiality, spatial presence, and the perception of time. Her works investigate how forms emerge, occupy space, and reflect a desire to grasp and hold onto the transient.

Direct link to portraits.
The Black Rectangle, installation by Tünde Újszászi, documentation photograph No. 1 (2015)

Since 2013 I have been regularly documenting the larger-scale installation works of artist Tünde Újszászi. The series includes projects such as The Black Rectangle, Difference, and Sphere.

Installation documentation - Works by Tünde Újszászi
Filth No. 1 (2017)

This photographic project was created in collaboration with fashion designer Endre Fazekas. The work reflects on the dual nature of filth: it may appear merely as a thin, insignificant layer on the surface, yet it can also permeate the atmosphere of a place and the gestures surrounding it. Within this shifting perception, the presence of filth reveals the possibility for the emergence of an unexpected aesthetics.

Filth (2017
Unfashioned No. 1 (2015)

This project combines a photographic series with a short conceptual fashion video structured around an interview with the model featured in the images.

“I am a tenth grade pupil at a modelling fashion school where we design clothes, and I am very interested in this, fashion design, and fashion, drawing as well…”

Styling: Orsolya Poppre, Make-up: Dorka Keizer, Hair: Ábel Telenkó, Model: Zsani Őze

Unfashioned (2015)

Poppre  No. 1 (2014)

This project presents a short excerpt from an entirely analogue photographic series created for accessory designer Orsolya Poppre’s shoe collection developed within the Kozma Lajos Applied Arts Scholarship (2013–2014). The photographs feature Mária Glázer as the model, whose presence and character provide a human context for the objects. Today, Poppre works primarily as a visual artist.

Poppre (2014)

Ille - Olla No. 1 (2013)

This short analogue series was created in collaboration with the Hungarian brand Ille-Olla on the southern shore of Lake Balaton during a freezing winter day. Rather than a commissioned fashion project, the images form an atmospheric authorial study of landscape, wind, and presence.

Fashion editor: Tünde Újszászi; Make-up: Dorka Keizer; Hair: Bálint Almássy at Close; Model: Cintia at FACE; Chair: Spicc Project.

Ille - Olla (2013)
Mrs. Herskin No. 4 (2010)

 This series presents a short excerpt from a photographic project made in connection with Surrealist Dreams, the diploma work of Larissza Pasztircsák and Orsolya Poppre at Moholy-Nagy University of Art and Design (2010). Their strongly surrealistic accessories examined altered perceptions of reality, drawing on contemporary philosophical ideas and personal inner experiences. The photographs were created using a camera obscura, whose sharp yet veiled visual character resonated with the dreamlike atmosphere suggested by the project’s title. Although the work was originally presented without these images, the series later took its present form through this photographic interpretation.

Mrs. Herskin (2010)